Bologna 1460-Mantua 1535 was an Italian painter of the Renaissance. He was born at Ferrara, but moved to Bologna by the his early twenties, and would be more influential to the Bolognese school of painting. However, many artists worked in both nearby cities, and thus others consider him a product of the School of Ferrara. There are claims that he trained with Cosimo Tura. In 1483 he painted his famous Madonna and Child with the Bentivoglio family, and other frescoes, on the walls of the Bentivoglio chapel in San Giacomo Maggiore, and he followed this with many other works. He was a great friend of Francesco Francia, who was much influenced by him. In 1509 he went to Mantua, where his patron was the Marquis Francesco Gonzaga, and he eventually died there. His Madonna and Child enthroned is in the National Gallery, London, but his chief works are at Bologna. His sons, Ippolito and Girolamo, were also painters, and so was Girolamo's son, Lorenzo the younger (1537-1583).   Related Paintings of Lorenzo Costa :. | The Holy Family | Portrait of a Woman | Venus | Allegory of the Court of Isabella d'Este (mk05) | Venus |
Related Artists:
John Raphael Smith
English Painter, 1752-1812,English printmaker, publisher and painter. The youngest son of the landscape artist Thomas Smith of Derby (d Bristol, 12 Sept 1767), he was apprenticed to a linen draper at the age of ten and around 1767 became a linen draper's assistant in London. He seems to have taught himself to paint miniatures and produced his first mezzotint in 1769, from Henry Benbridge's portrait of General Pascal Paoli (San Francisco, CA Pal. Legion of Honor). Smith married and opened a draper's shop in Exeter Exchange; about 1773 he began to engrave professionally and sold prints from the same shop.
Jacob Levecq
(1634 - 1675), was a Dutch Golden Age painter trained by Rembrandt. According to Houbraken, who was his pupil during the last 9 months of his life, he had been trained by Rembrandt, but inherited a sum of money when his parents died, that he used to take care of himself, his two unmarried sisters and a blind half-brother. Houbraken could not recall much of his painting style, since he had been mostly sick while he was living in the house, and he no longer painted actively. In his younger years Levecq travelled to Paris and Sedan where he painted portraits, and on his return to Dordrecht became a portrait painter in the manner of Jan de Baen. When he died, Houbraken inherited a third of his prints, but regretted the fact that as a young boy with little experience in such matters, he only chose prints by Lucas van Leyden and Albert Durer, and had left the French prints for others, and so was very glad that he had received one anyway by Charles le Brun.
Willem van
Dutch Baroque Era Painter, 1627-ca.1683